Five Headed Monster Concept Art

FiveHeadedMonsterConcept

Behold My Five Headed Monster Concept Art

In the summer of 2013 I took it upon myself to learn how to 3d model in Autodesk Maya. Years ago I became pretty proficient at 3d modeling in Autodesk Viz (Viz is essentially 3ds Max but stripped down a little bit). I try to learn new skills to open doors to new possibilities and because it is fun to better yourself.

I initially modeled the five headed monster in Maya using very crude shapes. I didn’t want it to be too time consuming and it’s not necessary to make a super detailed model for a reference photo. I set up lighting in Maya and I rendered the scene. I used those images as reference for a relatively quick digital drawing/painting. I mainly wanted the reference images to see the cast shadow shapes, and to accurately space the heads, arms, and legs.

In the corner of the drawing/painting there’s an alternate version of the heads.

Luke Cage Watercolor

I’m still testing out my new waterbrush, but this time instead of painting a castle, I painted Marvel’s Luke Cage aka Power Man (in his old costume of course).

Luke Cage WatercolorHere’s the finished watercolor sketch. It would look a lot better if I had a nice scan of it.

1_Luke_Cage_Pencils

I started with a pencil sketch.

2_Luke_Cage_Inks

Next, I inked the pencil sketch. I erased the pencil drawing too. Luke Cage doesn’t look as angry in the inked drawing as he did in the pencil drawing. That’s just poor inking on my part.

3_Luke_Cage

Adding light washes of watercolor to establish the local color.

4_Luke_Cage

Adding more washes of watercolor.

5_Luke_Cage

Continuing to add more washes (pretty simple, right?)

6_Luke_CageContinuing…

 

And the final image:

Luke Cage WatercolorOnce I get a nice scan of it I’ll add it to my blog.

 

 

Looking Back On 2013

2013 Collage

2013 Highlights

2014 is here and I’m anxious to accomplish many things this year. It’s hard to believe that my blog has now been around for a year (Although technically the first post was on January 10, 2013). I somehow found something to talk about each month! When I first started my blog I had no idea how long it took to create a good post. Some posts take several hours to write, revise (and revise again many times), add photos, and much more. I certainly appreciate the work that blog writers put into their posts, now that I know how much effort is required to post meaningful content.

In this post we are looking back on 2013 at some highlighted posts.

The Monoprice tablet unboxing and review:

Some notable painting process posts:

Some art:

Art book reviews:

Miscellaneous:

I hope you have a happy new year and stick to your new year resolutions (unless your resolution is something awful like drowning 100 kittens; then I don’t hope you stick to your new year resolutions).

The Fantasy Artist’s Figure Drawing Bible Review

Fantasy Artists Figure Drawing Bible Cover

Fantasy Artist’s Figure Drawing Bible: Ready-to-Draw Characters and Step-by-Step Rendering Techniques

Let’s start off with an introduction of the author of The Fantasy Artist’s Figure Drawing Bible, Matt Dixon. How is Matt Dixon qualified to teach anyone about drawing fantasy figures? Well, he has produced art for various video game companies, including Sony Online Entertainment, and Blizzard Entertainment. I think he’s pretty qualified to teach young artists how to draw and paint. You can see his website here. You can see his blog here.

Here are some images of Matt Dixon’s work, taken from his website at mattdixon.co.uk:

Biker Girl

Source: mattdixon.co.uk

Master Marksman

Source: mattdixon.co.uk

Moon Reaver

Source: mattdixon.co.uk

Summer Rampage

Source: mattdixon.co.uk

Those paintings look pretty awesome, don’t they? Yes, yes they do. He seems pretty qualified to write a book about fantasy figure drawing, so let’s talk about the book.

At the time of this writing, The Fantasy Artist’s Figure Drawing Bible was $17.31 with free shipping (on orders over $35) on Amazon. That’s not too shabby for a book with 256 pages, albeit each page is only 5.75″ x 7.75″, so what normally might take up one page in a normal sized art book, could take up three pages in this book (that’s not an actual page rate, I’m just throwing out a estimate). The version of the book that I read is a spiral bound hardcover book. I don’t think I’ve ever read an art book that was spiral bound before this book (And I have read A LOT of art books). It’s not a bothersome format. The spiral bound format is nice because you can have the book open to any set of pages and not worry about having to weigh down one side of the book so the pages don’t fall back onto the other side (If you don’t know what I’m talking about, then try reading a book sometime by just laying it on the table).

The figure drawing bible was first published in 2008 by Barron’s Educational Series, Inc. (or Quarto Inc. I’m not sure if one of those companies is an imprint or not and the inside cover of the book doesn’t really tell me). The book begins with 2 pages that quickly describe how the book is laid out (and once you get to the character directory you will see that it’s the same several page layout for each character). Then there are 6 pages of fantasy artwork (one image per page) from artists such as Jonny Duddle, and Howard Lyon.

Next up is the “Getting Started” chapter, and in this section there are 10 pages total. The first section of the “Getting Started” chapter is 2 pages that list various artists and illustrators, as well as literature, movies, and places that can be of inspiration to the artist reading the book. After that, there are 4 pages that discuss tools and materials. The tools and materials section is very brief and is probably only helpful to the beginner artist. Dixon then compares a couple of techniques (Line vs tinted vs comic etc.), and then briefly talks about working digitally.

After the “Getting Started” chapter, we reach 34 pages about visual language. This chapter discusses things such as fantasy stereotypes, anatomy proportions, constructing the figure, composition, sketching, value, color, and rendering. The rendering section is my favorite part of the book, probably because I am already very familiar with the other rudimentary principles of art. It’s always nice to see an artist’s workflow and process.

Next up there is the “Character Directory”, which is the bulk of the book. In the character directory you are presented with a fantasy character or archetype. There is a full page illustration showing that character and the line art drawing if you wanted to trace or scan the drawing into your computer and try your hand at digital rendering. Dixon talks about the personality of the character, the design choices, developing the design and appearance of the character (including the face, body shape, weapons, etc.), constructing the character and posing them. Also included in each character section is a half page “Artist’s Tip” that can discuss anything from digitally painting skin tones to atmospheric perspective. The book uses the same format for each character, making it easy to digest. Some of the characters in the book include: imp, elf, dark elf, dwarf, mermaid, orc, troll, ogre, hero, etc.

Here are some images of the book, taken from Dickblick’s website:

hero

source: dickblick.com

sprite

source: dickblick.com

treeman

source: dickblick.com

I hope I helped you decide whether you want to purchase, rent, or skip this book. If you have any questions or comments, you can leave a comment or directly message me.

Watercolor Castle Sketch

Watercolor Castle Sketch

Watercolor Castle Sketch

I purchased a waterbrush the other day on Amazon to bump the total in my cart to qualify for free shipping (which is now $35 instead of $25). I had been thinking about buying a waterbrush anyways, so it was the perfect opportunity to finally buy one. I was testing it out with some watercolor pencils that I’ve had for years (And I don’t ever really use them). In fact, I don’t do much watercolor painting at all these days, but I’m looking to change that.

I drew the scene with a normal pencil and then I drew with the watercolor pencils. I then used the waterbrush to brush over the lines, and pick up some watercolor paint from some pans in a little portable watercolor set.

Sometime I’ll probably get a scan of the sketch.

I highly recommend getting a waterbrush. It’s a pretty handy tool and I think it will prove to be very handy when watercolor sketching on location.

Milk and Cookies Process

Milk and Cookies

Baking for Santa

In a past post I showed you my Milk and Cookies painting. I told you to stay tuned for the process shots of the painting and I like to keep my word, so feast your orbs on these Milk and Cookies process photos!

If you follow me on Twitter then you have probably seen this preliminary sketch of my idea for the Milk and Cookies painting:

Milk and Cookies Sketch

This sketch includes dialogue!

 

Milk and Cookies Process 1

I toned this board a couple of months ago in preparation for a still life painting that I never got around to painting, so I decided to use it for the Milk and Cookies painting. Here we have the hardboard coated with washes of acrylic paint to establish a base color for the painting (also known as imprimatura).

 

Milk and Cookies Process 2

Next, I drew directly on the board with pencils (probably 2H and HB pencils).

 

Milk and Cookies Process 3

Then I began oil painting, beginning with some thinly applied darker colors to establish some local color.

 

Milk and Cookies Process 4

More oil paint is added to the painting! Wow! This photo was taken when the painting was about halfway done. When you reach this point while painting you often need to check yourself and remain calm. The painting doesn’t look so hot. You know better than that! It’s going to be wonderful! You have to remind yourself that all is well and that the painting will come together after you add some highlights.

 

Milk and Cookies Process 5

Said highlights are added. Doesn’t that look much better? I told you that it would come together.

Then I forgot to take any more photos because that’s what happens when you lose yourself in a painting and really start to have fun. Plus, it’s a pain to have to constantly remove my painting gloves (surgical gloves–so you could say that I do surgery on boards with paint), hunt down the terrible point-and-shoot camera and try hard to get a photo that’s not completely blurred.

I wasn’t sure how I was going to show the glow of the cookies and milk but I decided on a unnatural blue color and I had a blast with the mark making.

Here’s an animated GIF:

Milk-and-Cookies-Process-Animated

 

Post Processing

It’s not very often that you’re shown the post-process part of the process, so let’s change that. After the painting is dry (I add Liquin to my paint so I only had to wait about 2 days for it to be completely dry–it would have been dry sooner but a few thick brushstrokes of titanium white paint were still damp after day 1 [because the paint was thicker, and because white paint dries slowly]) I bring it to school where I scan it on one of their fancy scanners (The scanners are used by the whole school so they happen to have scratched glass, which means I have to pick out little dust spots and scratches after I scan my artwork).

Once I scan my painting, I edit the scanned painting in Adobe Photoshop and start adjusting the colors and levels to match my original painting. There’s a lot of tinkering with the scanned painting until it finally resembles the original (And then you have things to worry about like the color calibration on your monitor, the level of brightness of your monitor when color correcting scanned artwork, the type of lighting affecting the painting as you compare it to your screen, etc.). It still never beats how the original actually looks in person.

 

Milk and Cookies Scan

Ew. Look at how flat and lifeless the painting appears.

Here’s what the painting looks like when scanned, but before the digital magic that makes it look like the actual painting (Which probably still doesn’t look close to the original painting because of how our monitors are calibrated).

 

Milk and Cookies Post Processing

Here’s an image of my layers palette, showing you all of the adjustments I had to make to the scanned painting. This doesn’t show the dust and scratches I removed either.

Here’s an animated look at the before and after of the digital post processing:

Milk-and-Cookies-Before-After

Some day I’ll probably do an entire blog post about post processing for artwork.

 At The Gallery

Non Christmas Christmas Show

Notice the great looking frame on that painting.

Finally, here I am at the Fountain Street Church Keeler Gallery Non-Christmas Christmas Show. The show runs through January 2, 2014, so get there while you still can!

I had the painting framed by MercuryHead Gallery. I’m always satisfied with the service they provide and I enjoy talking art with the folks over there.

You can purchase the Milk and Cookies painting! Talk to the people in charge at the Keeler Gallery in Fountain Street Church, or contact me. If you’d rather buy prints, or pillows, or what have you, then you can stop by my Society6 store and do just that!

If you have any questions or comments, please feel free to drop my a line in the comments.

Milk and Cookies

Milk and Cookies

5″ x 7″ acrylic and oil on panel

Here’s an oil painting (technically acrylic paint, pencil, and oil paint) of mine that is currently in the Fountain Street Church Keeler Gallery Non-Christmas Christmas Show. In my “Anticipating Milk and Cookies” post, I showed a little preview of this painting. The show is running until January 2, 2014. Please go check it out (there are a lot of subtle details and colors that are better seen in person) and if you want to purchase the painting, you can purchase it at the show, or you can contact me (the same goes for pretty much any of my art). Stay tuned for the process shots of the painting!

 

Note: the painting looks pretty accurate when I turn my screen brightness up but otherwise it’s pretty dark. I’m not sure how bright my monitor should be when color correcting artwork. Any thoughts?

You can purchase prints of this painting, as well as other items on my Society6 store.

Anticipating Milk and Cookies

Santa loves milk and cookies. I painted him anticipating some milk and cookies. Here’s a sneak peek of a painting that I have in the Fountain Street Church Keeler Gallery Non-Christmas Christmas Show. The theme of the show is Anticipation. The show runs November 27, 2013 through January 2, 2014. This photo was taken during the process of the painting, so some things have changed. I’m pretty sure that I took several process photos, so stay tuned for more art!

Santa anticipating some milk and cookies

Monoprice Tablet Review

Monoprice Tablet Stock Photo

It’s time for my long-awaited Monoprice tablet review.

In January of 2013, I unboxed the Monoprice tablet and showed you the photos. I also included some size comparisons. I encourage you to check out the unboxing post so you can see the size comparisons and what comes with the drawing tablet. Anyways, I said that I would review it and I try to stick to my word, so here’s my Monoprice tablet review.

 

For the money ($56.61 as of the time of writing this review) you will be hard pressed to find a better drawing tablet. The tablet is similar to Wacom’s Intuos3 line of tablets (Not necessarily in that it looks similar to the Intuos3 tablets, but that it functions similarly). The Intuos3 tablets cost HUNDREDS of dollars. The price of the Monoprice tablet isn’t even a triple digit number.

Wacom has been running a monopoly in the digital drawing tablet market and it’s time for that to change.

Slowly, manufacturers (Monoprice, Huion, Hanvon, Yiynova etc.) are starting to break into the tablet scene and give Wacom some competition. Wacom is similar to Apple in the way that they both overcharge for what they are selling. People still buy their products regardless of the monumental prices because of the status and design.

If you were to gut a Cintiq (Wacom’s pen display) you would probably find parts that when totaled together, do not cost the outrageous prices that Wacom charges. There are people who use Wacom’s existing tablets and they make their own pen displays like the Cintiq but for a fraction of the price–further proof that Wacom overcharges you for sleek design. I know that this is capitalism and Wacom needs to profit so that they can pay their employees, create new products, and much more, but making a profit is one thing–ripping off your customers is another.

Wacom, like Apple, also release “new” products that are simply just slight revisions on past versions. For example, Wacom’s Intuos5 is essentially the same product as the Intuos4 but with touch capabilities (only some models have the touch capabilities). To me, that doesn’t seem like enough of a difference to warrant a number change from 4 to 5.

Now don’t get me wrong, I like Apple (I have several Apple products), and Wacom makes nice hardware (I someday hope to own a pen display like the Cintiq, if they lose their premium price) but I think that competition would be good for Wacom and that is why I chose to buy my drawing tablet from Monoprice. Competition between businesses is a good thing.

Another reason I decided to use a Monoprice tablet instead of a Wacom tablet is because I heard about a horrid thing called the “shoelace effect” affecting the newer Wacom Intuos tablets. You can learn more about that in this conceptart.org thread.

 

Here’s how I test my equipment:

Testing The Monoprice Tablet

Rigorously testing the Monoprice Graphics Tablet.

Now it’s time for the good, the bad, (the neutral) and the verdict:

PROS:

  • Inexpensive. The Monoprice tablet cost me about $56. Wacom wants hundreds of dollars for their products, although their newly revised (and re-named to Intuos) Bamboo tablet line is pretty impressive for the price.
  • Bang for the buck. The tablet performs very well and for the price, you are getting a great tablet.
  • Competition for Wacom. Wacom needs to be taken down a notch and some competition is healthy and good for the market. If Wacom suddenly feels threatened by the emergence of competitor’s tablets and pen displays, then they will improve their products (better hardware for less money) and value. The competition will then improve their products–rinse and repeat. This is good GREAT for the consumer. Maybe Wacom would stop releasing minor revisions as new tablets (see the intuos4 product line to the intuos5), and their products would be affordable.
  • Pen weight. The pen isn’t overly heavy or too light. It’s just personal preference to me. I don’t have experience with other tablet pens so I can’t comment on how it compares in weight/size.
  • Sturdy and affordable enough that you can throw it in your bag and not worry about it breaking. If it breaks you can just buy another one because it’s so affordable. Disclaimer: I wouldn’t encourage literally throwing it into your bag (or anywhere).
  • Slick surface. The nib on your pen doesn’t wear down as quickly as on a paper-like surface (see Intuos4 surface)
  • It’s not Wacom! 

NEUTRAL:

  • AAA battery pen. Although the pen requires 1 AAA battery, I haven’t had to change the battery yet since I bought the tablet. You will quickly forget it even requires a battery.
  • Hotkeys. I can’t say much about the hotkeys because I don’t use them.
  • Transparent flap thing. You can place drawings or photos underneath the transparent drawing surface (for tracing?). I have never used that feature. 

CONS:

  • Slick surface. Yes I know this was also a “pro”. Some people like drawing on slick surfaces (like the Intuos3) and some people don’t. I don’t really have an opinion on it, as I haven’t used the paper like surface of the Intuos4 and 5. I have a feeling that I would like a surface that’s not so slick. I know that a lot of people don’t like the paper-like surface of the Intuos4 and 5 because it wears the nibs/tips down quickly. Of course you can buy replacement tips for Wacom’s products but they charge you MUCH more than what the tips should cost. (By the way, if you have a Wacom tablet and you need to replace your nibs, just make your own)
  • Pen requires a AAA battery. This isn’t really a big deal but a “con” nonetheless. Remember, I still haven’t had to replace the battery yet. Also, AAA batteries aren’t expensive.
  • No eraser. There is no eraser on the rear of the pen. It doesn’t bother me. I just switch between the brush and eraser in Photoshop by clicking ‘b’ and ‘e’. Many of my Wacom-using-friends tell me that they don’t even use the eraser feature on the Wacom pens (Maybe I could count this as a “neutral” instead of a “con”).
  • Cheap rubber grip on pen. The rubber grip around the pen slides if you have a tight grip. I might be too stressed and it’s hard for me to relax so maybe that’s just a problem with me (if you want to help me relax, I accept technology, art supply and monetary donations).
  • Nib wear. The nib can sharpen into a chisel. I don’t have enough experience with Wacom tablets to know if they do that too.
  • Not wireless. I don’t really mind that it’s wired (the cord is long enough for me) but it would be a definite plus if the tablet was wireless.
  • Some slow almost 45 degree strokes will jitter. This may be the software I’m using, the operating system I have, the way I draw, the digitizer in the tablet, or many other things. I’m not sure if it’s the tablets fault. There are too many variables to narrow down what causes it. Most people don’t seem to notice.

Let’s take a look at the specs:

  • Overall dimensions: 14.5” x 12” (I think it’s closer to 14” x 11”).
  • Active drawing area: 10” x 6.25”.
  • Pen is about 6.25” long and at it’s thickest spot it’s almost ½” thick.
  • The cord is about 56” long
  • Resolution (LPI): 4000
  • Report Rate Speed (RPS): 200
  • Pressure Sensitivity: 1024 levels
  • It also comes with some software that’s probably horrible, and you probably wouldn’t ever use it anyways. I don’t even know if it’s mac compatible software.

Let’s take a look at the settings you can change in the driver for the tablet.

Monoprice Pen Tablet Settings Info

They could have probably used a better picture for the “info” screen in the tablet settings.

Monoprice Pen Tablet Settings Buttons

You can assign different things to the buttons the pen. I don’t even use the two buttons on the pen.

Monoprice Pen Tablet Settings Scope

Here you can change the active drawing area of the tablet. You can make the active area smaller so that your brush strokes will be longer and smoother. I think I’ll probably change my settings soon. It’s kind of annoying having to move my whole hand when I need to reach the far corner of the screen.

Monoprice Pen Tablet Settings Hot Keys

You can assign different programs or commands to the hotkeys or “hot cells” as they call them. I unassigned all of the hotkeys so I wouldn’t accidentally open the web browser or paste something. Even if you left all of the hotkeys as they were, you would probably have no trouble keeping your pen away from them. I did it JUST IN CASE.

Monoprice Pen Tablet Settings Pressure

Here you can adjust how hard or soft you need to press the pen.

If the Huion H610 existed before I purchased the Monoprice tablet I may have purchased the H610 instead. I’m happy with my purchase and I don’t regret choosing the Monoprice tablet. I’ll probably buy the H610 some day and see if I like it more than the Monoprice tablet. The Monoprice tablet is a bit too large for my tastes. With digital painting it’s easiest to draw from the wrist. Smooth curving lines and stiff straight lines are difficult to paint/draw on a tablet. Having a smaller active area to draw on makes it easier to achieve smooth curving lines and stiff straight lines. After you install the drivers for the Monoprice tablet you can adjust the active area on the tablet. I never tried to change it. A smaller tablet would also take up less space and that’s always a bonus.

 

VERDICT: BUY THIS TABLET (on Amazon because after shipping from Monoprice it’s more expensive).

For less than $60 the Monoprice tablet is a great value and good competition for Wacom. If you don’t want to spend hundreds of dollars on a tablet, or you want to buy a tablet that isn’t made by Wacom, then this tablet is a solid choice.