A while ago I was messing around with painting on trading cards. When I was done experimenting I had some leftover acrylic paint and I thought it’d be fun to mess around on some wax paper (I had wax paper underneath the trading cards so I wouldn’t paint on the table). I should have scanned the other side of the sketch too because you can see the pen drawing. This sketch is about 4″x5″.
Remember, pretty much all of my art is for sale, even stuff like this! If you are interested in purchasing my artwork please contact me!
Learn how to inexpensively make graphite transfer paper!
If you are looking for an inexpensive way to transfer a drawing to your board or canvas then I recommend you make some DIY graphite transfer paper! Using a projector to transfer your drawings is very easy too but you have to spend hundreds of dollars on a nice projector (unless you are printing on transparencies and using an old overhead projector) and then you have to make sure the room is dark enough for you to see the projection and you have to line everything up and it can be a hassle. If you scan your drawing (which you should do anyways to add to your digital archive of artwork), and enlarge it, shrink it, do whatever you have to do, and print it out at the exact size of your painting, you can use graphite transfer paper to trace your drawing onto your final surface. Another interesting transfer method is using a printed copy from a laser printer and transferring the image using acrylic medium. I’ll post more about that method later.
What’s the point in buying graphite transfer paper if you can quickly and easily make it yourself? I’m always trying to save money when I can, and making some DIY graphite transfer paper is one way to save a little bit of cash. I should mention that sometimes “saving money” by doing something yourself actually can cost you more money in the end by taking up lots of your time. Time=money. Making your own graphite transfer paper is quick and easy though so you aren’t spending much time on this.
Here I have all of my materials ready. Clockwise from top left: my printed drawing at full size, my original drawing just for reference (not sure why I kept it in the photo), tracing paper, and the illustration board (already ruled and marked for bleed and with a border).
This step is optional but it helps to line up your drawing to your already marked borders on the final surface. I laid the tracing paper over my illustration board and, using the guides on the board, I place painters tape along the edges of the tracing paper. Also in the photo is some isopropyl alcohol, a tissue, a 6B graphite stick, and some cardboard.
I rubbed the graphite stick onto the tracing paper.
I set a piece of cardboard underneath the tracing paper so nothing would happen to the table (not sure if anything would happen but it doesn’t hurt to be cautious). I put a little bit of the isopropyl alcohol onto the tissue and gently wiped the graphite cover surface of the tracing paper. After that dried I carefully removed the tape. Please have adequate ventilation when using the isopropyl alcohol. It can make it hard to breathe and cause other problems.
I flipped my DIY graphite transfer paper over and placed it in the correct spot on top of my illustration board.
I taped my printout onto the transfer paper.
I traced along the lines of my printout using a ballpoint pen. You can use a sharp pencil, or some sort of stylus too.
If you have other interesting ways to transfer images to your final substrates, I’d love to hear them!
Here are two more digital speed paintings from the end of September 2013. You can see part one (the first two paintings) here.
Here are two digital speed paintings from the end of September 2013. Stay tuned for part two!
Edit: Part two is here!
It has come to my attention that not many people know about Google Cultural Institute (formerly the Google Art Project, but now it includes much more). I love the Google Cultural Institute and you should too. Although I’d much rather see a Peter Paul Rubens (Not to be confused with Peter, Paul, and Mary) painting in person (I’ll add that to my non-existent bucket list), I don’t have the luxury of flying all over the world to see his paintings so Google Cultural Institute is my solution.
Fake disclaimer: Google Cultural Institute is a great website and you’re likely to lose track of time and browse artworks for hours. If you have deadlines or tasks to complete, wait to look at GCI until you have some free time.
Here’s a nifty video to introduce you to GCI:
The Google Art Project (part of the Google Cultural Institute) has
hundreds thousands of artworks for you to view in high resolution. You can take a virtual tour through partnered museums, read about the artwork, browse other member’s “collections” of artwork (you can make your personal collection of artwork from the Google Art Project, write things about the pieces you chose, and share with the world), and so much more.
As always, if you click on an image in my posts you can usually see larger images.
Let’s take a quick tour through the Google Cultural Institute:
Here I am browsing the artwork of Peter Paul Rubens. You can scroll left and right to view more art work by Rubens. Notice the little blue “gigapixel” button next to the title of “Venus and Adonis”. There are several gigapixel images on the Google Art Project. You may ask yourself “what is a gigapixel?” You may ask yourself, where is that large automobile? Well you know how cameras have megapixels? Maybe your camera has 12 megapixels (That’s pretty standard). A gigapixel is 1,000 megapixels (Whaaaaat!!!).
Let’s take a look at the gigapixel image of “Venus and Adonis”:
The descriptions are fun to read and they are very informative (unlike taking an actual art history class where you fall asleep and watch slides on a projector while the teacher drones on in a monotone voice). Enough of that, let’s zoom into the painting!
There’s so much to look at with the Google Cultural Institute. A blog post can barely scratch the surface of how interesting GCI is. Go check it out for yourself! If you want a direct link to the Art Project, click here. And if you want to see the “Venus and Adonis” painting by Peter Paul Rubens, you can click here.
After a year long hiatus from life drawing I was anxious to get back into it. Here are some life drawings from 1-16-14. They are all charcoal on charcoal paper (18″x24″). I normally don’t draw with charcoal for life drawings except for gesture drawings. I’m also a very clean person so it’s obvious that I should stay away from charcoal, however, I used it for the last three life drawing sessions and I might continue to use it. Even though it gets all over your hands and paper (and pants, and everything else in close vicinity) there’s just something about it that I like. I’m thinking about breaking out the toned paper soon and trying some charcoal and white pastel/white charcoal drawings. Maybe I’ll switch back to colored pencils on toned paper.