Casein Painting: Methods and Demonstrations Review

What is casein paint? According to Wikipedia (teachers just love it when you cite Wikipedia), casein paint is a fast-drying and water-soluble paint made from milk casein (casein is a type of protein [eating casein paint will not make you stronger]). Casein paint has been used for a long time. When casein paint thoroughly dries it becomes water resistant (like acrylic paint). Casein paint is a fairly versatile medium. It can be used like watercolor or gouache, and dries to a nice velvet-like matte finish. When dry (and isolated using a varnish), casein paint can be used as an underpainting for oils. According to Casein Painting: Methods and Demonstrations, casein paint “provides an excellent stepping stone for the watercolorist who wants to do oil painting, and for the oil painter who may have hesitated in the past to attempt watercolor.” I was first introduced to casein paint in a Stephen Quiller book (maybe I’ll review it some day). If that’s not enough of an introduction to casein paint for you, feel free to check out this thread on the WetCanvas forum.

Now that we all know what casein paint is, we can move along to the review. The book is Casein Painting: Methods and Demonstrations by Henry Gasser. This book had its first print in 1950 (before computers, cars, fire, and language [basically the ice age]). You can buy it on Amazon.

Henry Gasser covers the materials used when painting with casein paint (brushes, palettes, surfaces), casein paint as watercolor, using casein paint opaquely like gouache, painting with casein paint on gesso panels, making an underpainting with casein, mounting paper, etc. If you want to know more about those things you should read the book.

Henry uses the following palette:

The paper in Casein Painting: Methods and Demonstrations has a nice gloss but tears easily when turning from page to page (the book is old so perhaps in its prime the pages didn’t tear so easily). There are a total of 7 color reproductions in this book. I wish all of the images were printed in color but I understand that the publisher saved money by printing it mostly in black and white. Casein Painting is a fairly short book, being only 67 pages long (or short), but had the author decided to bulk up the book by including frivolous information, then the book would be too long. The 67 page length seems just about right for Casein Painting.

I think that this book is a good introduction to casein paint and provides practical examples of how to use casein paint. If you collect art instruction books, this may be a nice addition to your collection (just remember to be careful when turning the pages). As of this review, Casein Painting can be purchased on Amazon for $15.20.

Here’s a taste of what Henry Gasser’s paintings looked like:

My Colored Pencil Painting Bible review.

The book that I’m reviewing today is Colored Pencil Painting Bible: Techniques for Achieving Luminous Color and Ultra-realistic Effects by Alyona Nickelsen. The first thing that I noticed about the book was the cover (duh). That’s a pretty great colored pencil drawing (or painting as the author calls them). The basic technique used throughout the book is essentially layering color with wax based colored pencils (Prismacolor pencils), using solvent (such as Gamblin’s OMS Gamsol) to remove visible pencil strokes and blend the colors together, and finally layering more colored pencil (burnishing where needed) to complete the “painting”.

In the Colored Pencil Painting Bible, Alyona talks about different types of paper, pencils, solvents, and other things such as erasing tools. She tells the reader about color charts and how the reader can create them. This book briefly covers art fundamentals such as composition, color, value, light, and shadows. The author also talks about different pencil strokes, blending, layering colors, burnishing, and image transferring.

At the end of the Colored Pencil Painting Bible the author includes charts that list the lightfastness (how permanent or unaffected by light the color is) of colored pencils. The information can be useful to artists who use colored pencils such as Caran d’Ache Luminance, or Faber-Castell Polychromos. The majority of artists that I know (including myself) who use colored pencils prefer Prismacolor Premier pencils. The charts have no lightfastness ratings for those pencils, which was a huge letdown for me. Thankfully for you, I took the initiative to find the lightfast ratings for the Prismacolor Premier colored pencils. You can see that chart here.

One nice tip I took away from this book is how to obtain a rich black color. Alyona applies black colored pencil to the paper (she prefers Stonehenge), and melts the wax with an OMS wash. Next, she layers indigo blue, dark green, and tuscan red. She then adds another layer of black and blends the mix with a colorless blender.

While I think that Alyona’s technique is nice, I think that the book could be shorter and have a smaller price tag (although as I write this review the book is only $17.15 on Amazon). I think that it has too many exercises in it that just bulk it up. This book provides a good foundation for anyone interested in furthering their knowledge of colored pencils, or anyone who is interested in taking colored pencil art seriously. I recommend at least checking it out from the library if you are serious about colored pencil art.

There you have it! That’s my Colored Pencil Painting Bible review.